But for me it was a different story. BACH: Mass in B minor - The Netherlands Bach Society/ Jos van Veldhoven, conductor/ Dorothee Mields, soprano/ Johannette Zomer, soprano/ Matthew White, alto/ Charles Daniels, tenor/ Peter Harvey, bass - Channel Classics multichannel SACD CCS SA 25007 (2 discs), 53:30 & 52:45 ****1/2 {Distr. Watch a beautiful live performance of this cantataby the Netherlands Bach Societyhere on YouTube. Bach - The Apocalypse: 'the opera that Bach never wrote'.A successor of Vivaldi - Dangerous Liaisons, the 'new baroque opera' by both partners, that was enthusiastically received by audience and press in 2019.In the words of the opera critic of Dutch newspaper the Volkskrant . - |Cantata BWV 49 - Details & Discography Part 1 Yet along with the musicians, its artistic director Jos van Veldhoven is still continually in search of contemporary ways of presenting this music, whether it be the traditional performances of the St. Matthew Passion in Naarden, other works by Johann Sebastian Bach (1685-1750) or music by his predecessors, successors, contemporaries and fellow spirits. Discovered singing while studying English. Maria Keohane (Soprano) - Short Biography - Bach Cantatas Website Dorothee Mields is a lovely soprano for van Veldhoven . Drinks are included in the price of admission. Trained in Russia and also sings with ensembles like the Netherlands Chamber Choir and Cappella Amsterdam. Posted by cantatasonmymind in Cantatas, Leipzig, Alex Potter, bwv 127, BWV 159, BWV 22, BWV 23, Dorothee Mields, Estomihi, Jan Kobow, Matthew White, Miriam Feuersinger, Netherlands Bach Society, Peter Kooij, Philippe Herreweghe, Stephan MacLeod, Thomas Hobbs. It all started in 1921 with the plan to perform Bach's St Matthew Passion in the Grote Kerk in Naarden. . The Netherlands Bach Society gives about 50 concerts a year, primarily with works of J.S. But it turns out that this week is the perfect time for a spotlight on Shunske Sato, because this Thursday December 5, 2019, the Netherlands Bach Society will publish the final episode of his series of solo violin sonatas and partitas on All of Bach, their online video archive of Bach performances. While Bach and Telemann worked in the same region only from about 1708 to 1712, they were good friends, and it is generally assumed that they would have seen each other in Hamburg and Kthen a few times in the early 1720s. It created a halo over the entire aria. Regularly coaches vocal ensembles. Note the last line. With five soloists and ten choristers, plus eight strings, seven . The text of that alto aria is as follows: Ach Herr, was ist ein Menschenkind,Ah, Lord, what is a child of manDass du sein Heil so schmerzlich suchest?that you should seek his salvation with so much pain?Ein Wurm, den du verfluchest,A worm whom you curseWenn Hll und Satan um ihn sind;when hell and Satan are around him;Doch auch dein Sohn, den Seel und Geistbut also your son, whom soul and spiritAus Liebe seinen Erben heit.Through love call their inheritance. I had been unsure how to talk about these concerts in the framework of this blog, especially now that its more than a month ago and were in Advent already (yes there is Advent music in this post, please keep reading) and there is no recording of these concerts. Teacher at the Conservatorium van Amsterdam. Technology, Engineering and Services But please note, it is all in Dutch. Wer will die Liebe recht erhhn,Who will rightly extol the loveDie unser Heiland vor uns hegt?that our Saviour cherishes for us?Ja, wer vermag es einzusehen,Indeed, who is able to realiseWie ihn der Menschen Leid bewegt?how he is moved by human suffering?Des Hchsten Sohn kmmt in die Welt,The highests son came into the worldWeil ihm ihr Heil so wohl gefllt,because its salvation pleases him so wellSo will er selbst als Mensch geboren werden.that he himself is willing to be born as a man. Never did I enjoy a da capo this much. You can find most of them by typing Alex Potter into the search bar at the top of this post. The photos here dont really capture how beautiful those colors are and how stunning it is when you see them together in the landscape, but it is something that makes me very happy. Other singers in this recording are Dorothee Mields, soprano; Thomas Hobbs, tenor; and Stephan McLeod, bass. Soloists are Deborah York, soprano; Ingeborg Danz, alto; Mark Padmore, tenor; Peter Kooij, bass. Description: Bach: Mass in B minor BWV 232. I also think that any opportunity to hear more Dorothee Mields is worth it, and I got to sing with her as an added bonus., It turned out to be a brilliant one. The Netherlands Bach Society (Dutch: Nederlandse Bachvereniging) is the oldest ensemble for Baroque music in the Netherlands, and possibly in the world.The ensemble was founded in 1921 in Naarden to perform Bach's St Matthew Passion on Good Friday and has performed the work annually since then in the Grote of Sint-Vituskerk (Great Church or St Vitus Church). The Netherlands Bach Society (De Nederlandse Bachvereniging) is the oldest ensemble for Baroque music in the Netherlands, and possibly in the world. After a speaking sinfonia, the soprano sings the first half of the text in continuous dialogue with the strings; the last line, ruhen bis am jngsten Tage [to rest until the final day] is then illustrated in a static instrumental interlude. For this entire program, the violinists were playing one-on-a-part, the same way it was probably done in Weimar, where Bach first performed Cantata 161 on the small organ loft in 1716. In the center of the cantata, after the festivities of the opening chorus, but before the very pretty Christmas-y Glory to God in the highest soprano-tenor duet, and an impressive bass aria with trumpet, the music goes into a minor key, and also turns inward, in the alto aria. Plays theorbo at the Netherlands Bach Society. Jos van Veldhoven, conductorHana Blakov, soprano 1Anna Reinhold, soprano 2David Erler, altoThomas Hobbs, tenorPeter Harvey, bass0:00 Kyrie eleison (Coro)11:07 Christe eleison (Duetto)15:56 Kyrie eleison (Coro)19:43 Gloria in excelsis Deo (Coro)21:25 Et in terra pax (Coro)26:06 Laudamus te (Aria)30:09 Gratias agimus tibi (Coro)33:19 Domine Deus (Duetto)38:39 Qui tollis (Coro)41:39 Qui sedes (Aria)45:50 Quoniam tu solus sanctus (Aria)50:33 Cum Sancto Spiritu (Coro)54:14 Credo in unum Deum (Coro)56:13 Patrem omnipotentem (Coro)58:15 Et in enum Dominim (Duetto)1:02:38 Et incarnatus est (Coro)1:05:52 Crucifixus (Coro)1:08:58 Et resurrecit (Coro)1:12:56 Et in Spiritum Sanctum (Aria)1:18:13 Confiteor (Coro)1:22:18 Et expecto (Coro)1:24:30 Sanctus (Coro)1:26:58 Pleni sunt caeli 1:29:19 Osanna in exelsis (Coro)1:31:59 Benedictus qui venit (Aria)1:36:22 Osanno in excelsis (Coro)1:39:05 Agnus Dei (Aria)1:45:17 Dona nobis pacem (Coro) Lanado em 07/06/13 por Brilliant Classics The performances are at seven different venues. Of course this text refers to the believers in general, that on the one hand they are worms, and on the other hand will be saved by Jesus. My husband is a Jazz bass player in his spare time, so for him the music was another aspect to living in Paradise. There are many more Jazz performances and festivals here than in Europe, and there are lots of people here to do jam sessions with. But before I discuss Cantata 99 Was Gott tut das ist wohlgetan (Trinity 15, Sept 17, 1724) and Cantata 8 Liebster Gott, wenn wird ich sterben (Trinity 16, Sept 24, 1724), I would like to introduce you to a Telemann cantata: Du Daniel gehe hin. During that entire time the Leipzig congregations would hear no music in the churches, except for chorales. The top three, in my humble opinion, are here, here, and here. I had already heard that Sato was a good one from people with authority on the matter, and had enjoyed listening to his recordings, but it took these live concerts to experience the magic that happens when he is a soloist in a Bach aria. Has played with the Netherlands Bach Society for more than 20 years. Recorder players not specified. bach partita allemande flute - morningviewbaptist.org Now listen to/watch the entire recording of Cantata 13 Meine Seufzer, meine Trnen, also by the J.S. All Souls - Bach - Bachvereniging For her, this piece symbolises trust in a number of ways.Recorded for the project All of Bach on March 15th 2014 at St Martin's Church, Groningen. In the category most interactive creation I would like to mention the St. John Passion by Zing als vanZelf. Netherlands Bach Society, Jos Van Veldhoven - J.S.Bach: St. John About us. Bach Foundation, Jakob Pilgram, Jan Brner, Julius Pfeifer, Margot Oitzinger, Mark Padmore, Matthew White, Netherlands Bach Society, Philippe Herreweghe, recorders, Rudolf Lutz, St. Matthew Passion, Susanne Seitter, Wolf Matthias Friedrich. This is an extended lesson, in several steps, but please bear with me, its worth it and you get to watch or listen to some excellent videos. Bach Foundation, with withHana Blaikov, soprano; Margot Oitzinger, alto; Jakob Pilgram, tenor; and Wolf Matthias Friedrich, bass. Professor at the University of Berlin and plays chamber music a Got her Bachelors degree in The Hague and is now studying at the Hochschule fr Musik in Stuttgart. Posted by cantatasonmymind in Advent, Cantatas, Leipzig, Trinity, Weimar, 16th Sunday after Trinity, Alex Potter, All of Bach, All Souls, Bachvereniging, BWV 161, BWV 36, Grote Kerk Naarden, Hans van der Woerd, Marco Borggreve, Netherlands Bach Society, Nieuwe Kerk Den Haag, Shunske Sato, St. Matthew Passion, The Hague, Thomas Hobbs, Zsuzi Tth. J.S. The music has a slower tempo, and a more drawn out rhythm, but the theme is the same as in that duet from Cantata 155 you just heard: There is more in this opening chorus of Cantata 13 that gives us a peek into Bachs referencing process. Specialist in historical instruments. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB or consider donating http://bit.ly/2uZuMj5.For the complete performance of 'Wir dank dir, Gott, wir danken dir' go to https://www.youtube.com/watch?v=Ih51HIyTW0QFor the interview with organist Leo van Doeselaar and violinist Shunske Sato on BWV 29 go to https://www.youtube.com/watch?v=u1im6NdhoBoFor the interview with conductor Jos van Veldhoven on BWV 29 go to https://www.youtube.com/watch?v=QUG8cwXMV6EFor further information on BWV 29 and this production go to http://allofbach.com/en/bwv/bwv-29/All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. 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